This is a question I have been asked quite often. My colleagues often get confused about the vegetarianism of Indians, as there does not seem to be a common pattern or even a strict definition. This is a reasonable confusion, as there indeed, is no single answer.
Typically, food preferences are associated with religion. For example, Muslims do not eat pork (pig) as it is forbidden by the religion and also eat only halal foods. Many Christians do not eat meat during the season of Lent. Similar restrictions apply for Jews in terms of kosher foods.
For people who follow Hinduism, the predominant religion in India, the generally accepted rule is that they do not eat beef (cow meat), as cows are considered sacred. This is also reflected in airline food preferences, where "Hindu" food means "no beef" (can include other meats). However, this is not exactly true either.
As a practicing Hindu as well as having been born and raised in India, hopefully I can provide a better answer to this vexing question to many Westerners, particularly those involved in the IT profession, as they end up brushing shoulders with Indians mostly and also have to put up with their meal preferences during lunch and dinner!
Hindu Vegetarianism
Unlike many religions, to my knowledge, in Hinduism, codes of conduct are not strictly enforced. The religion, as I perceive it, is more democratic, and lets the follower decide how to follow the religion. The codes tend to be more of 'best practices' than commandments. As a result, enforcement of the religious codes are often done by means of social and economic pressure rather than the religion itself. Due to this, the dietary composition of a Hindu is more driven by where he lives rather than what the religion says. Thus, you can find that Hindus in coastal regions such as West Bengal and on the east and west coasts of Southern India consider seafood as a staple food while also being devout Hindus. In the more interior regions, chicken and at times lamb is also eaten as a staple food by Hindus.
Theory of Emotional Detachment
When asked what type of food he eats, one of my colleagues used to say "anything that does not have eyes". This is a close enough approximation for an Indian Vegetarian. I have a slightly more elaborate theory about vegetarianism, which I feel provides a better model for vegetarianism in general and Indian vegetarianism in particular. The theory essentially is that a person's level of vegetarianism depends on the level of emotional attachment one has with what he eats. In simpler terms, the more something looks or feels like you or emotionally attached to you, the less you are likely to eat it.
So, let's put this theory to test. Based on the theory, I propose the following scale of vegetarianism.
It's simple at the start - we don't eat humans (cannibalism) because they look like us the most and also are of the same genre. Up next, we have the exotic animals (koalas, panda bears, insects), weird body parts (brain, reproductive organs, eyes, nose), and animals that we are fond of or feel relative empathy towards (dogs, cats, chimpanzees).
Things start getting a little interesting from there on. The next level is consuming most kinds of red meat, typically pigs, cows, lamb, and versions thereof. This is probably the most prevalent diet throughout the world. As we saw before there are certain restrictions here based on religion, but in general red meat is the common theme. Such animals are considered eatable, as they have been used for generations for consumption, and hence we are emotionally detached with them. The restrictions at this level reflects the level of emotional attachment as well. Pigs are considered bad as their 'filthy' habitat is considered as reflective of those who would eat them as well. Similar theory is also reflected in parts within Hinduism, where scriptures say "you are what you eat" and hence you attain the qualities of the animals that you end up eating. In addition, cows are considered taboo, as in ancient India, they were used for multitude of purposes (farming, dairy, and general labor) and so the emotional attachment was high.
In the next stage are the "white meat" eaters, who do not eat red meat, but are fine with white meat - which includes many birds - chicken, ostrich, and quail to name a few. The emotional detachment with birds tend to be a lot higher as well, since they are not typically tamed or befriended (raising chickens for eggs does not count!). They also look a lot less like us and the lack of red meat is also visually less emotional to the eaters.
The next stage of meat eating is with seafood. Once again, the emotional detachment is extremely low, as sea creatures look a lot less like us. Moreover, for generations, sea creatures have been considered as staple food along coastal regions and hence have not been considered as 'true meat'. In India, however, nowadays the aversion is more due to the sight and smell than by religious preference.
After this point, we get into the more vegetable-based space. The two stages here - "Vegetarian Lacto-Ovo" and "Vegetarian Lacto", covers what I would call as the "Indian Vegetarian", a space where I fall under. In these stages, all forms of meat (aka "those that have eyes") are not eaten, while dairy products (cheese, milk, yogurt, etc.) are considered acceptable and in some cases, even eggs (technically they don't have eyes!). There are two interesting twists here - the "cake lover" - which most of my more "strict vegetarian" friends are. They do not prefer to eat eggs - scrambled, poached, or even egg strands in a Chinese Fried Rice. However, they are fine with eating cake, even though the cakes contain eggs. I believe the emotional detachment again comes into play - as long as they do not 'see' the egg in its close-to-raw form, they are fine, such as in the case of a cake. This could also be attributed to the social aspect. Most Indians are more Westernized and birthdays are celebrated with cakes. So, we are raised with a tolerance towards cakes and hence, it's not considered as 'meat'. Same goes even for fish oil that most moms give to kids when they are young for the essential Omega-3 fatty acids that are found lacking in a typical vegetarian meal.
Another twist is the "Vegetarian Jain". Jainism is a distinct religion primarily practiced in the western parts of India (most of Gujarat and areas around Mumbai) that has its origins around the time of Buddhism. Jains believe in non-violence and hence do not eat anything that is considered as harmful to other creatures. As a result, they avoid root vegetables (can potentially kill animals under the ground while plucking the vegetables), honey, and similar products. Some people who are more strict also do not eat stale food and hence avoid any fermented product more than a day old. Interestingly however, milk is considered acceptable. My guess is that taking the milk from a cow technically does not harm the cow and hence it is fine, as long as the calf is given its due share. This is probably why even in the more general Indian vegetarianism, milk is considered as vegetarian.
Inclusion of milk and at times eggs are probably the most importance differences between a vegan as it is defined in the Western world, and vegetarian, as it is defined in India. That's also why it irks me to no end whenever I end up getting tasteless vegan stuff in Continental Airlines when I request a "Vegetarian" meal (sometimes the "Asian Vegetarian" meal, which is essentially "Vegetarian Lacto", is not given as an option).
So, hopefully this gives you an idea of the nuances in vegetarianism, and helps better understand the plight of your fellow colleagues!
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Showing posts with label cooking. Show all posts
Showing posts with label cooking. Show all posts
Sunday, March 28, 2010
Monday, March 08, 2010
Orange Glazed Asparagus
Couple of my non-technical interests are cooking and photography. The ever-increasing popularity of Food Network has only added to my interests. When I finished my high-school and was getting ready to go apply for colleges, I had a good mind to apply for a culinary institute. With no background in my family in professional cooking (although my spiritual/religious background has a strong foundation in cooking - more on that in another blog), that thought did not take much shape and eventually led me to follow the herd and become and Engineer, although I have been quite happy with that decision as well. The fact that I am a vegetarian probably didn't help build a case for a culinary institute as well!
Switch to present, I enjoy watching Alton Brown and Ted Allen shows in Food Network. Harold McGee's book "On Food and Cooking" gave me a peek into the science behind cooking, only increasing my curiosity. It's amazing to look at how different flavors come together and how our mind converts the sensations into beautiful emotions.
With that background, I thought I'll share a recent recipe I tried out.
Asparagus is a healthy, fiber-rich vegetable. The best thing about asparagus is that it can be cooked very quickly with very minimal effort and makes for a great healthy snack.
I wanted to check out if there are some good variations one can create with asparagus and came across an interesting recipe for Orange Glazed Asparagus in All Recipes, a favorite recipe website of mine. Intrigued I prepared it today and it turned out to be quite delicious. I added a few variations of my own to make it a little more interesting than the default recipe, which is what you see here.
Serving Size: 2 | Time to Cook: 10 minutes
Ingredients
1 bunch asparagus (broken near the tender region)
1/2 tsp salt
1/4 cup Orange juice (fresh squeezed may give better flavor. I used the store-bought one)
2 tsp orange zest
1-2 tsp paprika or mild chili flakes
1 tsp cumin powder (dry-roasted, powdered cumin seeds may give better flavor)
2 tsp olive oil
Method
Switch to present, I enjoy watching Alton Brown and Ted Allen shows in Food Network. Harold McGee's book "On Food and Cooking" gave me a peek into the science behind cooking, only increasing my curiosity. It's amazing to look at how different flavors come together and how our mind converts the sensations into beautiful emotions.
With that background, I thought I'll share a recent recipe I tried out.
Asparagus is a healthy, fiber-rich vegetable. The best thing about asparagus is that it can be cooked very quickly with very minimal effort and makes for a great healthy snack.
I wanted to check out if there are some good variations one can create with asparagus and came across an interesting recipe for Orange Glazed Asparagus in All Recipes, a favorite recipe website of mine. Intrigued I prepared it today and it turned out to be quite delicious. I added a few variations of my own to make it a little more interesting than the default recipe, which is what you see here.
Serving Size: 2 | Time to Cook: 10 minutes
Ingredients
1 bunch asparagus (broken near the tender region)
1/2 tsp salt
1/4 cup Orange juice (fresh squeezed may give better flavor. I used the store-bought one)
2 tsp orange zest
1-2 tsp paprika or mild chili flakes
1 tsp cumin powder (dry-roasted, powdered cumin seeds may give better flavor)
2 tsp olive oil
Method
- In a 12" skillet, add olive oil, asparagus, and salt and saute for a minute
- Add orange juice to the asparagus and toss lightly. Close the skillet and let the asparagus steam for 5 to 10 minutes in medium-high heat
- Once the asparagus is tender, remove them from the pan. Keep the liquid in the pan.
- Add orange zest to the liquid and heat till the juice gets into a saucy consistency
- Pour the glaze on top of the asparagus in a plate
- Sprinkle paprika and cumin powder on top and serve hot
Monday, February 22, 2010
On Food and Classical Music
It's interesting how our brain can find parallels between seemingly unrelated concepts. I was reading a couple of books (sample chapters actually, thanks to the new Kindle app for Blackberry) on cooking one after the other and suddenly it struck me how similar some of the concepts in cooking are to music, other than the general classification that both come under arts with an underpinning of science.
The first book I read was Flavor Bible by Karen Page and Andrew Dornenburg. In the book, the authors define great cooking as one having an excellent flavour (which in turn, is a combination of taste, mouth feel, aroma, and an X factor) that gives pleasure - in mind, body, and spirit - to the consumer. They go further and explain that in order to ensure that the food gives the right pleasure, multiple factors need to be taken into account such as the moment at which the food is served and the nature of the ingredients that make the food. The moment is important for the emotional satisfaction and can vary anywhere from the current weather (hot, cold, gloomy, sunny) to the type of mood the person is in (in a hurry, with a party, wants to take it slow, just hungry). The ingredients are of course, important for the physical satisfaction, which include the food pairings that go well (apple with cinnamon, tomato with basil) as well as the plating of the food (color and texture).
The second book I read was Ratio by Michael Ruhlman. It's quite an interesting cookbook in that it does not focus on recipes. Rather, it focuses on the ratio of ingredients that make a recipe and encourages the reader to come up with the final dish. The ratios themselves provide the foundation for the dish, while it is up to the reader to introduce additional flavors as well as to follow the appropriate technique to convert it to the final product. For example, to make bread, it takes 5 parts flour and 3 parts water, along with a pinch of yeast and salt. While this is the basic ratio for bread, there can be different kinds based on the flavors (garlic, herb and cheese, whole wheat, 8-grain) added to the bread as well as the technique adopted (ciabatta, foccaccia, sour dough).
I could very well relate to this concept, as I had been fairly frustrated when I first started cooking seriously. I would ask my Mom to tell me her recipes so that I could reproduce them and I would get vague descriptions such as 3 measures of coriander seeds with 2 measures of cumin and 25 chilis, with no specifics on the 'measure' itself. And of course, salt was always 'to taste'. It took me a while to formalize her recipes so that I could get the right flavour and now that I have graduated somewhat, I can see the sense in her basics.
I see quite a few similarities when I think of music, especially Indian classical music (Carnatic or South-Indian to be specific, although these apply to the Hindustani or North-Indian classical music as well). Unlike the traditional Western classical music which is based on harmony and strict composition, carnatic music is based more on melody and does not typically have strict rules on how a composition should be played.
To me, Western classical is more like a recipe book. It exactly tells you how to create the dish down to the last detail and if you follow it right, then you'll get it more or less right. Of course, the musicians would have to be skilled in their instruments and the conductor must use the right technique to get the most out of his musicians, but the composition itself is fairly well-defined, similar to how you can get a fairly decent dish by following the recipe to the dot, provided you know the basics of cooking and have the right ingredients. Better the ingredients and your cooking expertise, the better the dish will be.
On the other hand, carnatic music is more like cooking by ratio combined with flavor techniques. Most renditions have two components - the lyrics of the song being rendered and the 'raga' of the song. A raga is essentially a sequence of notes (Do Re Mi, etc.) that can be used in a particular pattern. This is similar to the ratios of a dish. After that, it's pretty much left to the singer on how the song should be rendered. The singer may opt to use the default raga (normally) or may even opt to sing the lyrics in a completely different raga, if that makes more sense to him. It is also up to the singer to use his own technique (as taught by his teacher - different teachers have different styles of singing) and to add creative variations to the base rules for singing the song (called 'vakrams' or deviations). So, while the artist has the foundation of the raga and the lyrics, he would combine it with his own embellishments on top of the basic rules along with his own unique techniques and create the final rendition.
Does this mean that one is better than the other? Not really. They are just two different ways to the same final destination, and each has its relevance in a specific setting. I just think that it is interesting to see the similarities, which hopefully can help appreciate both types of music with a different lens of perception.
Coming back to cooking, I think it's important to understand both styles of cooking if one aspires to be a good cook. I see it kind of being cyclical - you would first want to start with recipes that are accurate. Following tried and tested recipes to the dot can help improve one's overall cooking skills as well as to get comfortable with the basics of cooking. The focus here would be more on the skills of cooking since the recipe itself spells out the procedure as well as the ingredients and their combination. Once enough cooking skills have been developed, I think it's important to move on to the ratio-based thinking that is more free form. Such mode of thinking helps improve creativity and innovation while ensuring that the basics are right. This is probably the stage when the cook masters the art. The last part of the cycle involves codifying the skills learned both as recipes as well as rules for future generations. I think this is a part that many tend to forget or ignore. It is not only important for one to learn an art, but one should also pass on that knowledge to the next generation of aspiring cooks.
If this topic aroused your curiosity, you may want to check out the books I mentioned earlier.
Finally, you might also want to read the book that inspired the title of this blog - On Food and Cooking: The Science and Lore of Kitchen by Harold McGee - a fascinating book that goes into the science of cooking.
Happy Reading, Cooking, and Listening!
The first book I read was Flavor Bible by Karen Page and Andrew Dornenburg. In the book, the authors define great cooking as one having an excellent flavour (which in turn, is a combination of taste, mouth feel, aroma, and an X factor) that gives pleasure - in mind, body, and spirit - to the consumer. They go further and explain that in order to ensure that the food gives the right pleasure, multiple factors need to be taken into account such as the moment at which the food is served and the nature of the ingredients that make the food. The moment is important for the emotional satisfaction and can vary anywhere from the current weather (hot, cold, gloomy, sunny) to the type of mood the person is in (in a hurry, with a party, wants to take it slow, just hungry). The ingredients are of course, important for the physical satisfaction, which include the food pairings that go well (apple with cinnamon, tomato with basil) as well as the plating of the food (color and texture).
The second book I read was Ratio by Michael Ruhlman. It's quite an interesting cookbook in that it does not focus on recipes. Rather, it focuses on the ratio of ingredients that make a recipe and encourages the reader to come up with the final dish. The ratios themselves provide the foundation for the dish, while it is up to the reader to introduce additional flavors as well as to follow the appropriate technique to convert it to the final product. For example, to make bread, it takes 5 parts flour and 3 parts water, along with a pinch of yeast and salt. While this is the basic ratio for bread, there can be different kinds based on the flavors (garlic, herb and cheese, whole wheat, 8-grain) added to the bread as well as the technique adopted (ciabatta, foccaccia, sour dough).
I could very well relate to this concept, as I had been fairly frustrated when I first started cooking seriously. I would ask my Mom to tell me her recipes so that I could reproduce them and I would get vague descriptions such as 3 measures of coriander seeds with 2 measures of cumin and 25 chilis, with no specifics on the 'measure' itself. And of course, salt was always 'to taste'. It took me a while to formalize her recipes so that I could get the right flavour and now that I have graduated somewhat, I can see the sense in her basics.
I see quite a few similarities when I think of music, especially Indian classical music (Carnatic or South-Indian to be specific, although these apply to the Hindustani or North-Indian classical music as well). Unlike the traditional Western classical music which is based on harmony and strict composition, carnatic music is based more on melody and does not typically have strict rules on how a composition should be played.
To me, Western classical is more like a recipe book. It exactly tells you how to create the dish down to the last detail and if you follow it right, then you'll get it more or less right. Of course, the musicians would have to be skilled in their instruments and the conductor must use the right technique to get the most out of his musicians, but the composition itself is fairly well-defined, similar to how you can get a fairly decent dish by following the recipe to the dot, provided you know the basics of cooking and have the right ingredients. Better the ingredients and your cooking expertise, the better the dish will be.
On the other hand, carnatic music is more like cooking by ratio combined with flavor techniques. Most renditions have two components - the lyrics of the song being rendered and the 'raga' of the song. A raga is essentially a sequence of notes (Do Re Mi, etc.) that can be used in a particular pattern. This is similar to the ratios of a dish. After that, it's pretty much left to the singer on how the song should be rendered. The singer may opt to use the default raga (normally) or may even opt to sing the lyrics in a completely different raga, if that makes more sense to him. It is also up to the singer to use his own technique (as taught by his teacher - different teachers have different styles of singing) and to add creative variations to the base rules for singing the song (called 'vakrams' or deviations). So, while the artist has the foundation of the raga and the lyrics, he would combine it with his own embellishments on top of the basic rules along with his own unique techniques and create the final rendition.
Does this mean that one is better than the other? Not really. They are just two different ways to the same final destination, and each has its relevance in a specific setting. I just think that it is interesting to see the similarities, which hopefully can help appreciate both types of music with a different lens of perception.
Coming back to cooking, I think it's important to understand both styles of cooking if one aspires to be a good cook. I see it kind of being cyclical - you would first want to start with recipes that are accurate. Following tried and tested recipes to the dot can help improve one's overall cooking skills as well as to get comfortable with the basics of cooking. The focus here would be more on the skills of cooking since the recipe itself spells out the procedure as well as the ingredients and their combination. Once enough cooking skills have been developed, I think it's important to move on to the ratio-based thinking that is more free form. Such mode of thinking helps improve creativity and innovation while ensuring that the basics are right. This is probably the stage when the cook masters the art. The last part of the cycle involves codifying the skills learned both as recipes as well as rules for future generations. I think this is a part that many tend to forget or ignore. It is not only important for one to learn an art, but one should also pass on that knowledge to the next generation of aspiring cooks.
If this topic aroused your curiosity, you may want to check out the books I mentioned earlier.
- The Flavor Bible: The Essential Guide to Culinary Creativity, Based on the Wisdom of America's Most Imaginative Chefs by Karen Page, Andrew Dornenburg
- Ratio: The Simple Codes Behind the Craft of Everyday Cooking by Michael Ruhlman
Finally, you might also want to read the book that inspired the title of this blog - On Food and Cooking: The Science and Lore of Kitchen by Harold McGee - a fascinating book that goes into the science of cooking.
Happy Reading, Cooking, and Listening!
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